Monthly Archives: November 2011


Elle Amberley, author of Nowhere Left To Hide

I am delighted to have had the opportunity this week to interview Elle Amberley, author and many time expat, as well as expert in life’s crappy stuff.

Although she is a British author, Elle likes to dabble in French too, and hopes to resume work on her French novel when time allows.
Elle is a bohemian at heart, the result of having lived in several countries as a child. She also enjoys writing articles on women’s issues and whatever she feels passionate about, as well as poetry and short stories. Lost in your time is scheduled for publication in February 2012.
My own experiences abroad and dealing with life’s crappy stuff certainly went into the mix when I was writing The Thinking Tank – so I wanted to ask Elle about how those very things influenced her..
You’ve been an expat on and off for much of your life, Elle. Was this self-imposed or did you follow your family to foreign parts? As a child we lived in various European countries. I did hanker for a place to call home but then I hankered even more for safety, stability and most important love…As a teenager I had to rebuild my life. As the police suggested at one point, the best thing for me was to move as far as possible. Which I did, going as far away as America and Australia, best thing I could have done to free my mind and soul.
Can you tell us where you have lived and what effect you think this has had on your writing? I’ve lived in France, Spain, Italy, Switzerland, Germany and a few more European countries. Each place has had an influence on me, particularly France and Italy. Unbeknown to me my French just kicked back in action after 10 years of not using it at all. I’m now writing in French, a funny consequence to a big drama. A few years ago stricken with grief I’d closed up and then met a very special person who put the pen in my hand and sat me at his desk. Words flowed out in French through the tears. Imagine my surprise when I realised what I’d written.
Being exposed to so many cultures is very enriching and provides many a background.
You are known to be a survivor and a person who has dealt with plenty of life’s crappy stuff. How is this reflected in your work? Readers often comment on the fact I can put a positive spin on difficult themes. I’ve had to be very strong and independent, I think it’s reflected in my novels.

Please tell us a little about your latest novel, Nowhere to Hide (Indio Press): A young woman seeks to escape her past. She grabs the chance she’s given to go and study in California, despite the difficulties. In Santa Barbara she finds a new way of life, far away from her tormentors and childhood ghosts. She shakes off the labels and finds friendship and love. But what will she do when her visa expires and her boyfriend asks her to marry him?

Was there a particular life situation that inspired the themes? Yes, definitely. I know only too well what’s it’s like having to run from your home.

Elle's books are available on Amazon

 I understand that you have adopted a pen name. What advice would you give to anyone wanting to share their own experiences but through fiction? The reason I adopted a pen name was to protect myself. I did have to change my name because of what happened to me. It was a freeing experience, another label off my back. Difficult to explain without going through all the nitty gritty. I think as authors we all put our own experiences into our books. However, this is not a memoir even if it is my most personal novel to date. I think memoirs have their place and I find writing to be a wonderful healer. I have resisted so far the calls to write my own memoir. You should never say never but I don’t think this is for me. I much prefer to use my imagination run free.

Finally, what do we have to look forward to next in terms of your writing, Elle? Quite a few more short stories, poems, a French novel and LOST IN YOUR TIME my next novel to be published in February 2012.
 Thank you so much for having me on your blog. Fabulous questions, I’ve enjoyed answering them.
The pleasure is mine, Elle – thank you for your time.
More information about Elle and her writing can be found at the following links:
                    Elle on amazon UK

Writing a novel: Author to author: Jae De Wylde interviews Elle Amberley

Writing a novel: The Thinking Tank gets rave reviews as reported by Expat Bookshop


Available on Amazon & Kindle any many bookshops

Hi, lovely people! I just wanted to take the time to thank Expat Bookshop for their brilliant support and for their piece on my reviews. They are also interviewing me via Skype this evening. Eek! Please follow the link to their fantastic website, where they have been kind enough to feature The Thinking Tank, along with lots of other great reads for those who are globally minded…

Writing a novel: Life in the Tank


The TV monitor above the Tank relieves the boredom and alone-ness

My treatment in the hyperbaric oxygen tank was like nothing else I had experienced. When you have a condition that is pain-related, it’s hard for people to understand what the whole fuss is about. I get that. We all get that, those of us who have silent illnesses – the sort you can’t wear, which aren’t signposted by crutches, slings, wheelchairs or sticks. So telling people I was to spend two hours a day, five days a week in an oxygen tank felt a bit like making a bad joke.

 It was even more difficult when I got to the hospital. HBO is used for diseases of the nervous system but also for open wounds that won’t heal. Sarah in The Thinking Tank encounters such a situation when she meets a woman with damaged tissue on her face. If I dig deep, I guess what it made me feel was a fraud. Like if I don’t have some outward badge of pain, then I can’t possibly deserve this treatment. And when you feel like that you get all apologetic for even being there. Hats off to the amazing staff at the former Edith Cavell hospital in Peterborough who were real earth angels and did all they could to make visits to the HBO unit like a coffee morning. But that alone-ness, when everything is cool and separate in the tank – even the earth angels could not fix that.

Which is where the telly comes in – if you want it to. I’ve included a pic to explain a bit about how it works. It is surreal, so it’s hardly surprising that it’s hard to visualise. The monitor is outside the glass cylinder and sound – someone talking to you or sound from the TV – is piped in through an intercom system. And it works both ways. You can be heard too from the outside. It’s another way of making you feel less diconnected but the truth is, there is nothing like two hours in a treatment chamber to underline your disconnectedness – the fact that no one else on the planet can feel your pain – that pain is personal, be it physical or metaphorical, and let’s face it we all tend to think our own pain must be the worst. The truth is that whatever your worst is, is simply that – your own personal worst. We live by degrees. We get hurt by degrees. The more pain we encounter in life the more we are likely to cope with more pain – or if not, we go under.

We each of us live life in our own tank. We just don’t always know when we are there – and we forget that to connect we need to reach out from our tanks, from our pain and from our own private worlds. Sarah gets stuck in hers and to move forward she has to uncover the secrets that keep her and her daughter apart.

 Like Sarah, I watched film after film in my oxygen tank. The difference is that whilst I chose my own films and the tank, the catalyst for The Thinking Tank, chose me, Sarah’s films choose her  – and try as she might to make them stop, the tank just thinks for itself…


Writing a novel: The Tank chose me


Most of you will have no idea what a hyperbaric oxygen tank is. Well, good, I say – because it means that neither you nor anyone you know has had the kind of condition that means you have to spend time in one. It’s a glass cylinder, not unlike the sort of incubator they put premature babies in, except it’s adult sized and has a direct link to a TV screen. Why, you may ask? That’s simple. Because the treatment inside the tank – when they decompress you and remove the nitrogen from the air, leaving you in a vacuum of pure oxygen for two hours – is tedious and lonely. 

The Thinking Tank chose me…

Lonely because in that vacuum of pure air your ears will sing and your mind will wander and you are acutely aware that the world outside this pure space is carrying on as normal – and that you have an illness which divides you from everyday life with its need to be fed oxygen, pure and simple, for two hours, five days a week, for as long as you can foresee. That very separation is scary – and so the TV acts as a companion – a way of reconnecting with the world via Jeremy Kyle, Loose Women or whatever happens to be on at your appointed time. Or for a real treat you can lose yourzself in a film via the video link – Pretty Woman, One Fine Day, Basic Instinct, whatever you want. The oxygen tank becomes so much a part of your everyday life that it becomes hard to remember what life was like before an ambulance picked you up at ten to seven and consigned the rest of the morning to – get to hospital 45 minutes away – undress – don the cotton gown – remove jewellery – have a coffee – chew gum so the pressure doesn’t mount in your ears – hoist up onto steel trolley and be slid into tank. Wait for two hours, pass go and then do everything in reverse. Morning gone, life not lived, time evaporated into pure O2.

Where the main protagonist, Sarah, and I meet is at that point of The Thinking Tank. Together we have shared that experience and it was in that tank that the novel, The Thinking Tank, was born – in those moments of spaced outness when the air was pure and my ears were ringing – and it is in that tank that Sarah’s journey begins. Where she starts to reconnect with life and where the tank gives her no choice but to face a future which must embrace the past, its pain, its challenges and its secrets, which are yet to be revealed.